Audio-Technica AT4050ST
Best stereo condenser for professional studio recording and broadcast applications.
This is the ultimate tool for capturing a realistic, immersive soundstage without the headache of rigging multiple mics. By combining two distinct capsules into one housing, it offers unparalleled stereo flexibility for post-production, though it demands a more thoughtful, deliberate approach to placement than a standard mono setup.
$1529.00
at
Alto Music
Who it's for
- Studio engineers needing precise control over stereo width in post-production
- Recordists seeking transparent, uncolored sound for critical acoustic sources
- Professionals requiring versatile tools for loud sources and rumble control
Who should skip it
- Beginners lacking experience with external M-S decoding workflows
- Hobbyists or budget-conscious studios with limited equipment funds
- Field recordists needing lightweight gear for tight or mobile setups
Performance breakdown
Stereo Imaging
Mid-Side configuration captures a remarkably realistic and immersive sound field.
Transient Response
Transformerless circuitry ensures fast, accurate capture of complex percussive audio.
SPL Handling
Handles loud sources with ease, especially when engaging the 10dB pad.
Versatility
Discrete M-S output allows for extensive creative control during post-production.
Build Quality
Rugged construction meets the high standards expected for professional studio environments.
Frequency Accuracy
Dual-diaphragm capsules maintain precise polar patterns across the entire frequency range.
Key Specs
Element
Externally-polarized (DC bias) condenser
Frequency Response
20-18,000 Hz
Maximum Input Sound Level
149 dB SPL (159 dB with 10 dB pad)
Low Frequency Roll Off
80 Hz, 12 dB/octave
Phantom Power Requirements
48V DC, 6.4 mA typical (both channels total)
Weight
517 g
Dimensions
193.0 mm long, 53.4 mm maximum body diameter
Output Connector
Integral 5-pin XLRM-type
Impedance
0.0 Ohms
Sensitivity
-36.0 dBV/Pa
What Reviewers Say
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