AKG C414 XLS

A matched pair is factory-selected to ensure the two microphones have identical sensitivity and frequency response. This is essential for professional stereo recording techniques, such as X/Y or ORTF, where balanced imaging and phase coherence are critical.

The C414 XLS is designed for maximum linearity and a neutral, transparent sound, making it a versatile workhorse for any source. The XLII version features a slight presence boost in the high frequencies, modeled after the classic C12, which is often preferred for lead vocals.

While these are primarily designed for professional studio environments, they can be used in live settings for overheads, acoustic instruments, or choirs. However, because they are sensitive condenser microphones, you should ensure you have a stable stand and proper gain management to avoid feedback.

The preattenuation pads (-6, -12, or -18 dB) allow you to record very loud sources, like drums or guitar cabinets, without distorting the microphone's internal electronics. The bass cut filters help remove low-frequency rumble or proximity effect buildup when the microphone is placed very close to a sound source.

Yes, these microphones require 48V phantom power to operate. Ensure your audio interface or external preamp provides standard 48V phantom power through the XLR inputs.

They are an industry standard for acoustic guitar. Their neutral frequency response captures the instrument's natural character without adding unwanted coloration, and the multiple polar patterns allow you to experiment with room ambiance versus direct sound.