Telefunken ELA M 260

Unlike most small-diaphragm mics that use solid-state electronics, the ELA M 260 features a vacuum tube circuit. This gives you the precision and transient response of a small-diaphragm capsule combined with the harmonic richness and warmth typically associated with large-diaphragm tube microphones.

Absolutely. While it is a staple for acoustic guitars, strings, and drum overheads, its unique tonal character makes it an excellent choice for vocals when you want a detailed, open top end that sits well in a dense mix.

The three included capsules allow you to change the polar pattern to suit your recording environment. The cardioid capsule is best for isolating a specific source, the omni provides a natural, room-filling sound, and the hypercardioid offers the tightest rejection, which is ideal for minimizing bleed in busy sessions.

Like most tube microphones, the ELA M 260 performs best once the vacuum tube has reached its optimal operating temperature. We recommend letting the microphone warm up for at least 15 to 20 minutes before critical tracking to ensure consistent frequency response and stability.

Yes, the ELA M 260 handles a maximum SPL of 135 dB, making it more than capable of capturing loud acoustic instruments or drum overheads without distortion. Its high-quality transformer ensures the signal remains clean and punchy even at higher volumes.