Electro-Voice RE20

The RE20 is famous for its Variable-D design, which eliminates the proximity effect—that unnatural bass boost you get when speaking very close to a microphone. This ensures your voice sounds consistent and professional, even if you move around while talking.

No, the RE20 features a heavy-duty internal pop filter that is highly effective at managing plosives. You can speak directly into the mic without needing an external foam windscreen or pop shield.

No, the RE20 is a dynamic microphone and does not require phantom power. You can plug it directly into any standard XLR audio interface or mixer.

The internal shock mount is excellent at isolating the capsule from mechanical vibrations, such as desk bumps or stand movements. While it is very effective, using a dedicated external shock mount is still recommended if you are in an environment with significant floor vibrations.

While it is a broadcast legend, the RE20 is also a workhorse for instruments. It is frequently used on kick drums, bass cabinets, and brass instruments because it can handle high sound pressure levels without distorting.

The bass roll-off switch helps reduce low-frequency rumble or muddiness in your recording. It is particularly useful if you are recording in a room with a lot of ambient noise or if you want to tighten up the sound of a boomy voice.