Lewitt LCT 640 TS

Unlike standard microphones that lock you into a single polar pattern at the time of recording, the LCT 640 TS captures the front and rear signals independently. This allows you to adjust the polar pattern—or even create stereo effects—in post-production using the included POLARIZER plugin.

To utilize the dual-output functionality, you will need a dual-channel interface that provides 48V phantom power to both inputs simultaneously. If you only have a single-channel interface, you can still use the microphone as a standard cardioid condenser.

Yes, the LCT 640 TS handles high sound pressure levels up to 132 dB. It also features built-in pre-attenuation settings, which help prevent clipping when recording particularly loud instruments.

These features provide visual feedback if your signal has exceeded the maximum input level at any point during your take. It saves you from having to constantly monitor your DAW, ensuring you know immediately if you need to adjust your gain or engage the pre-attenuation.

Its neutral frequency response makes it an excellent choice for voice-over and podcasting, as it captures a natural, accurate sound without artificial coloration. The low self-noise ensures that your recordings remain clean and professional, even during quiet passages.

The control lock prevents accidental changes to your settings, such as the low-cut filter or pre-attenuation levels, during a session. It is a helpful safeguard to ensure your microphone configuration remains consistent throughout a long recording day.